When I first entered Danielle Mourning’s Pacific Heights home, I was floored. It wasn’t because the house itself was architecturally impressive, though it was nice. It was because opening that door took me into another world. I was fully immersed in the sounds, the visuals and even the smells representing this artists’ rich life. Did I want to do the project? The budget wasn’t even important. The artists’ home  had me at “hello.” And she wasn’t even there yet.
 "I’m interested in the juxtaposition of city and nature, and the in-between places where purity is tarnished. Where there are streaks and stains. Placing the human being at the crux of it, a living two-way mirror, the human experience and the lens perspective interchangeable."
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